Количество страниц: 9 с.
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Языкознание и языки. Лингвистика.
The research is carried out in the context of interdisciplinary cognitive directions - cognitive linguistics and cognitive poetics, one of the actual tasks of which is modeling the structure of artistic concepts represented in the artistic text. The aim of the study is modeling of the artistic concept of cold in the author’s artistic picture of the world of Y. S. Rytkheu as a part of the conceptosphere of the Arctic discourse. This research is the first stage in the study of artistic concepts in the Arctic discourse of Y. S. Rytkheu. The novel of this Chukchi writer, who is a representative of the northern linguoculture, was analysed. The relevance of this study is determined by the choice of the concept of cold as one of the key discursive concepts of the North and the Arctic, as well as its inclusion in the paradigm of linguocognitive research and conceptology of the artistic text. The method of continuous sampling was used to extract 456 markers - representatives of the concept. The markers were distributed into lexico-thematic groups (hereinafter - LTG) “Nature” (211), “Human Impact” (142), “Dwelling” (44), “Technology” (39), “Equipment” (20), interpreted as cognitive attributes of the concept. The distribution into LTGs was made according to the signs of semantic and thematic commonality of the concept markers. The following structure of the artistic concept cold was revealed: in the nuclear zone there is the cognitive attribute “Nature” (211 markers), in the ancillary zone - “Human Impact” (142 markers), in the near periphery there is the attribute “Dwelling”, in the far periphery “Equipment” and “Technics”. Such cognitive features of the artistic concept of cold as the Arctic climate of Chukotka, natural phenomena associated with cold, the impact of cold on people and their activities are defined.
Павлов, С. С. Художественный концепт холод в произведении чукотского писателя Ю. Рытхэу "Айвангу" / С. С. Павлов, О. А. Мельничук ; Северо-Восточный федеральный университет им. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. - 2024. - Т. 21, N 1 (95). - С. 169-177. - DOI: 10.25587/2222-5404-2024-21-1-169-177
DOI: 10.25587/2222-5404-2024-21-1-169-177
Количество страниц: 10 с.
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Языкознание и языки. Лингвистика.
The subject of research in this article are the characteristics and specificity of visual images and codes in the work of Grigory Baklanov "South of the main offensive". The relevance of the work lies in the fact that the scientific works devoted to the prose of Baklanov are represented by few works that study the poetics of psychologism in the writer's prose (A. E. Abramova) or the military prose of the Sixtiers as a whole (for example, in the study of T. G. Bogoradova and I. L. Startseva, Baklanov's prose is presented only as a part of the aggregate object). The writer's work is more widely discussed in the critical works of L. I. Lazarev, I. A. Dedkov and L. V. Oborin. Despite the importance of the figure of Grigory Baklanov in the "lieutenant prose", the sensual features of his prose are practically not studied. Meanwhile, Grigory Baklanov was one of the leading authors of "lieutenant prose". Thus, V. V. Bykov noted the primary influence on his work of the story "South of the main offensive" (1957) - the study of the visual poetics of this very work seems relevant. The methodological basis of the research was the immanent analysis, the comparative-comparative method, as well as B. A. Uspensky's approach to the analysis of the "point of view" in fiction. Aim of the research is to study the visual poetics of the story "South of the main offensive". The aim of the study is to consider the problem of visual poetics in modern literary studies, as well as to determine the functions and role of visual poetics in the artistic text of the story "South of the main offensive". In the work of Grigory Baklanov, the aspect of sensory poetics, which consists in appealing to the reader's perceptual experience through the text, is particularly pronounced - it is this aspect that is responsible for the formation of the sensory image of the artistic world of the work. In this study, visuality is considered as the main aspect of the reader's perception.
Ощепкова, А. И. Визуальная поэтика повести Г. Я. Бакланова "Южнее главного удара" / А. И. Ощепкова, Т. С. Монастырев ; Северо-Восточный федеральный университет им. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. - 2024. - Т. 21, N 1 (95). - С. 159-168. - DOI: 10.25587/2222-5404-2024-21-1-159-168
DOI: 10.25587/2222-5404-2024-21-1-159-168
Количество страниц: 12 с.
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках > Якутская (саха) литература,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Языкознание и языки. Лингвистика.
In recent years, an active appeal to the discourse of cold as a scientific problem has been observed in science, which is partly due to some extent to the transformation of the worldview of modern man, partly to the awareness of the fragility of the world balance in a globalising space. At the same time, the lack of development of the methodology, which consists in the absence of a conceptual, informational base, separate tools, creates difficulties in implementation this problem. In this regard, the topic presented in this article undoubtedly has great scientific potential and novelty in the context of the problem of geo-culture of the North. The purpose of the study is to study the concept of cold in the context of the geo-cultural landscape of Yakutia as a semantic structure, which manifests itself in the constancy of images, universals with cultural, historical, mental community and united in a single artistic system. The author pays special attention to the reception of the concept of cold in the aspect of binary positions of one's own and another's, where one's own is represented by an associative series of native, close, bright, safe, and participates in the formation of unique characteristics of the national world. The main attention is paid to the initial properties of cold, which form the borders of the Yakut world and participating in the design of a specific mental picture of Sakha, which is quite clearly reflected in the images of the initiating heroes of P.A. Oyunsky. In addition, the subject of the study is also the specifics of cold and its role in the actualisation of the unique geo-cultural quality of the city of Yakutsk as the coldest, most distant city, “the city on the edge”. The methods used in the article were systemic, structural research methods. Results. The study of this concept in the literary aspect helps to identify the peculiarities of the individual style, the author's position, and the peculiarities of constructing a national picture of the world.
Ноева, С. Е. Поэтика холода в якутской прозе начала ХХ века: холод как граница якутского мира / С. Е. Ноева (Карманова) ; Институт гуманитарных исследований и проблем малочисленных народов Севера // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. - 2024. - Т. 21, N 1 (95). - С. 147-158. - DOI: 10.25587/2222-5404-2024-21-1-147-158
DOI: 10.25587/2222-5404-2024-21-1-147-158
Издательство: ЛГУ
Год выпуска: 1987
Количество страниц: 616 с.
- Мировая классика > Русская классика,
- Языкознание. Филология. Художественная литература,
- ШКОЛА > Школьнику > Литература > Русская литература,
- ШКОЛА > Педагогу > Преподавание дисциплин > Литература > Русская литература,
- Школа 2 > Предметные подборки > Литературоведение > Русская литература > Русская литература XVIII - XIX вв..
Издательство: Просвещение, Ленинградское отделение
Год выпуска: 1974
Количество страниц: 116 с.
Издательство: Просвещение
Год выпуска: 1974
Количество страниц: 100 с.
- В помощь педагогам,
- Языкознание. Филология. Художественная литература,
- ШКОЛА > Школьнику > Литература > Русская литература,
- ШКОЛА > Педагогу > Преподавание дисциплин > Литература > Русская литература,
- Школа 2 > Предметные подборки > Литературоведение > Русская литература > Русская литература XVIII - XIX вв..
Издательство: Советский писатель. [Ленинградское отделение]
Год выпуска: 1966
Количество страниц: 442 с.
- Мировая классика > Русская классика,
- Языкознание. Филология. Художественная литература,
- ШКОЛА > Школьнику > Литература > Русская литература > 9 класс,
- ШКОЛА > Школьнику > Литература > Русская литература > 10 класс,
- ШКОЛА > Школьнику > Литература > Русская литература > 11 класс,
- ШКОЛА > Педагогу > Преподавание дисциплин > Литература > Русская литература,
- Школа 2 > Предметные подборки > Литературоведение > Русская литература > Русская литература XVIII - XIX вв.,
- Школа 2 > Предметные подборки > Художественная литература > Русская литература.
Издательство: Советский писатель
Год выпуска: 1967
Количество страниц: 552 с.
- Достоевский Фёдор Михайлович > Литература о жизни и творчестве,
- Языкознание. Филология. Художественная литература,
- ШКОЛА > Школьнику > Литература > Русская литература > 10 класс,
- ШКОЛА > Педагогу > Преподавание дисциплин > Литература > Русская литература,
- Школа 2 > Жанры > Художественная литература > Романы,
- Школа 2 > Предметные подборки > Литературоведение > Русская литература > Русская литература XX - XXI вв.,
- Школа 2 > Предметные подборки > Художественная литература > Русская литература.
Издательство: Художественная литература
Год выпуска: 1938
Количество страниц: 72 с.
Издательство: Современник
Год выпуска: 1975
Количество страниц: 632 с.