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Количество страниц: 10 с.
This article is dedicated to the discussion on the articles by E. S. Novik, publsihed in 1980–1990s, which reflect the themes of musical cutlure and musical folklore of the indigenous peoples of Siberia . In the article "On the typology of genres of non-fairytale prose of Siberia and the Far East" she touches upon the significant role of singing in the narrative: singing in narrative genres is a sign of a sacred message. In the article "Archaic beliefs in the light of interpersonal communication" the scholar points out the important role of the sound/voice for performing the sacred practices, and then comes to a conclusion about the sacred nature of a musical talent, consindering singers and musicians as the mediators between the worlds of people and spirits. The ideas about the magical nature of the singing and storytelling talents, supported by the examples from the Siberian folklore, are developed further in the article "The magical function of folklore narratives in the traditional culture of the peoples of Siberia: pragmatic structure and perlocutionary effect of thenarrative text". In the article "The verbal component of the hunting and fishing rituals (based on materials of the Siberian traditions)" one can findplenty of data on the intonational diversity of the ritualistic formulae, as well as the solid number of the notes, concerning the distinguishment of the different types of intonation, which might be useful for musicologists. In the article "Semiotic functions of the voice in Siberian peoples’ folklore and beliefs" the researcher is concentrated on the archaic folklore strata – interpretation and imitation of the sounds of nature, beliefs, related to the voice of a human and "the voices" of the mythological charachters. The ideas of Novikova on the musical folklore of the indigenous peoples of Siberia not only are still topical, but furthermore, their significance has increased at the present stage, due to the geocultural research of the Arctic region.
Добжанская, О. Э. Музыкальные лейтмотивы научного творчества Е. С. Новик: отражение музыкальных традиций народов Сибири в работах исследователя / О. Э. Добжанская ; Арктический государственный институт культуры и искусств // Фольклор: структура, типология, семиотика. - 2021. - Т. 4, N 4. - С. 105-114. - DOI: 10.28995/2658-5294-2021-4-2-105-114
DOI: 10.28995/2658-5294-2021-4-2-105-114
Количество страниц: 11 с.
In the article, in the light of the historical typology of Yu. I. Sheikin, the classification of musical folklore of the Dolgans, an indigenous small – numbered people of the Arctic, is considered. The author identifies the following types: archaic folklore (onomatopoeia, lullabies), traditional (songs of different genres), professional (shamanism, epic), innovative (ditties, songs of amateur authors).
Добжанская, О. Э. Музыкальный фольклор долган в свете исторической типологии Ю. И. Шейкина / О. Э. Добжанская ; Арктический государственный институт культуры и искусств // Музыкальная культура в теоретическом и прикладном измерении. - 2021. - Вып. 10. - С. 6-12.
Источник: Традиционная культура. - 2023, N 1 (24)
Количество страниц: 10 с.
In this article, the types of acoustic behavior conditioned by gender roles are considered for the first time, based on the example of Nganasan culture. The juxtaposition of gendered male roles (as a hunter and breadwinner) and female ones (as homemaker and mistress of the house) is vividly embodied in sound images. Men’s clothing does not contain resonant metal (such as little bells): since men are hunters, sounds would betray their presence to animals. Women’s clothing, in contrast, is abundantly adorned with metal parts for functional, ritual and aesthetic purposes. The author examines in detail the metal pendants on women’s clothing. As noise-making objects, they represent various types of sonic instruments from the class of idiophones called “self-sounding” (that includes colliding plates and tubes of various shapes, large and small bells). Among these are: bells with tongues on festive clothes (under ornamented vertical stripes of hensu) ; metal ornaments in the form of crescents suspended on the chest in a vertical row; tube-pendants on clothes; cone-shaped tubes decorating women’s clothing, and put on children’s clothes as a protective charm; and rings with tubes strung on them on a women’s jumpsuit. The sounding pendants that jangle on a female reindeer’s harness contain several items of special design, with rings threaded into holes and suspended noise-makers that sound loudly when the team moves. On festive clothes and harnesses, the number of sounding pendants is significantly greater than on everyday ones. Metal pendants are an obligatory part of women’s clothing whose type and abundance reflects a woman’s social status and reflects the wealth of the family. The sound of metal noise-making objects also serves as a talisman that performs a protective function. The results of this article are important for studying the soundscape of the Arctic from the point of view of interdisciplinary research.
Добжанская, О. Э. Мужское и женское в звучащем ландшафте Арктики: комплекты подвесок на традиционной одежде нганасан / О. Э. Добжанская ; Арктический государственный институт культуры и искусств // Традиционная культура. - 2023, N 1 (24). - С. 21-30. - DOI: 10.26158/TK.2023.24.1.002
DOI: 10.26158/TK.2023.24.1.002
Количество страниц: 7 с.
- Искусство. Фотография. Музыка. Игры. Спорт > Музыка,
- Краеведение. Археология. География. Биографии. История > Биографии. Генеалогия. Геральдика,
- НАУКА ЯКУТИИ > ИСКУССТВО. ФОТОГРАФИЯ. МУЗЫКА. ИГРЫ. СПОРТ > Музыка,
- НАУКА ЯКУТИИ > КРАЕВЕДЕНИЕ. ГЕОГРАФИЯ. БИОГРАФИИ. ИСТОРИЯ > Биографии. Генеалогия. Геральдика.
The author describes creativity of Dolgans amateur musicians such as M. V. Chardufor the first time. The paper presents biographical information and available publications of the authors’ texts; moreover, the author gives general characteristic of song creativity, describes the performing practice of his works by musical groups of Taimyr.
Добжанская, О. Э. Творчество самодеятельного поэта-песенника Матвея Чарду: к вопросу об инновационных процессах в музыкальной культуре долган / О. Э. Добжанская ; Арктический государственный институт культуры и искусств // Музыкальная культура в теоретическом и прикладном измерении. - 2023. - Вып. 10. - С. 6-12.
Источник: Славянская традиционная культура и современный мир: Фольклор в современном обществе : коллективная монография
Количество страниц: 11 с.
Добжанская, Оксана Эдуардовна.
Песни о великой отечественной войне на языках народов Таймыра: обзор культурных практик в свете инновационных процессов развития музыкального фольклора / О. Э. Добжанская ; Арктический государственный институт культуры и искусств // Славянская традиционная культура и современный мир: Фольклор в современном обществе : коллективная монография / Министерство культуры Российской Федерации, Государственный российский Дом народного творчества им. В. Д. Поленова, Министерство культуры Республики Татарстан, Ресурсный центр внедрения инноваций и сохранения традиций в сфере культуры Республики Татарстан, Министерство науки и высшего образования Российской Федерации, Пермский федеральный исследовательский центр Уральского отделения Российской академии наук, Институт гуманитарных исследований ; [составители: Добровольская В. Е., Черных А. В., М. В. Русанова, А. Р. Мифтахова]. - Казань : ООО "Фолиант", 2023. - С. 125-135.
Количество страниц: 16 с.
Добжанская, О. Э. Шаманские напевы нганасан вне обрядовой ситуации : по материалам записей Салира Порбина 1990 г. / О. Э. Добжанская ; Арктический государственный институт культуры и искусств // Siberica et Uralica. In memoriam Eugen Helimski / Saint Petersburg State University ; редакторы: Valentin Gusev, Anna Urmanchieva, Aleksandr Anikin. - Szeged : University of Szeged, 2022. - 505 p. - (Studia uralo-altaica ; Vol. 56). - P. 463-478.
Количество страниц: 13 с.
Dobzhanskaya, O. E. The opposition of the Nganasans ritual and non-ritual folklore music styles as a reflection ofthe ideas of the spatial organisation / Oksana Dobzanskaya ; Arctic State Institute of Culture and Arts // The Arctic in a space of knowledge :The collection of Saint Petersburg State University scientific events articles (2020–2021) / Saint Petersburg State University ; редактор: Nadezhda Kharlampieva. - Saint Petersburg : Saint Petersburg University Press, 2022. - P. 142-154
Количество страниц: 12 с.
Добжанская, О. Э. Напевы ситабы из репертуара Нины Дентумеевны Чунанчар в контексте эпической традиции нганасани музыкальной культуры XXI века / О. Э. Добжанская // Hämeenmaalta Jamalille : kirjaTapani Salmiselle / редакторы: Kaisla Kaheinen, Larisa Leisiö, Riku Erkkilä, Toivo E. H. Qiu ; University of Helsinki. - Helsinki : Helda OpenBooks, 2022. - 433 p.
Количество страниц: 8 с.
The author studies the history of musical folklore of the Enets taking into account the publications made by representatives of different sciences – linguists, folklorists, ethnologists, musicologists. So the interdisciplinary discourse is especially relevant due to a critical state of the Enets culture.
Добжанская, О. Э. История изучения музыкальной культуры энцев: междисциплинарный дискурс / О. Э. Добжанская ; Арктический государственный институт культуры и искусств // Музыкальная культура в теоретическом и прикладном измерении. - 2022. - Вып. 9. - С. 6-13.
Источник: Кунсткамера. - 2024, N 1 (23). - С. 132-141.
Количество страниц: 10 с.
Based on field materials, the vocal onomatopoeia of northern birds - loon, gull, partridge, crow, sandpiper, etc. - is studied. The materials were recorded from the bearers of tundra Nenets folklore Tatiana Nyudikhasovovna Lar, Elena Khabievna Ufimtseva (Salekhard city), Semyon Ettovich Yar (Nosok village of Taimyr district). Vocal onomatopoeia of birds reflect the ideas of the Nenets about the sounding landscape of the tundra - a complex of natural and anthropogenic sounds that has an ethnocultural meaning, creating a sound image of the territory. The voices of birds are personalized and detailed: different types of birds can be distinguished by onomatopoeia, also the sex and age of the bird (male or female, chick), different types of activity (flying up, diving, calling, swallowing fish, etc.). The article provides a musical notation samples of onomatopoeiaс (made by the author), on the basis of which their timbre, rhythmic and sound-pitch features are analyzed. Some fairy tale texts with song inserts (fairy tale songs) are also considered, the heroes of which are birds (tales about a partridge and a skua, about a partridge and an owl). The problem of identifying the role of onomatopoeia in the musical culture of the Nenets as a source of melody in song and fairy tale genres is posed. The author notes the validity of Yu. I. Sheikin’s judgment, according to which the onomatopoeias of animals and birds constitute a “paleosonoric system”, which is one of the sources of the emergence of the musical culture of the peoples of the Arctic. That is why these onomatopoeias require close study.
Добжанская, О. Э. Звукоподражания птицам в музыкальном фольклоре ненцев: к изучению регионально-этнических аспектов звучащего ландшафта Арктики / О. Э. Добжанская ; Арктический государственный институт культуры и искусств // Кунсткамера. - 2024, N 1 (23). - С. 132-141. - DOI: 10.31250/2618-8619-2024-1(23)-132-141
DOI: 10.31250/2618-8619-2024-1(23)-132-141